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- <text id=93TT0347>
- <title>
- Oct. 04, 1993: A New Man In The Armchair
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Oct. 04, 1993 On The Trail Of Terror
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- TELEVISION, Page 81
- A New Man In The Armchair
- </hdr>
- <body>
- <p>After Alistair Cooke's long tenure, Russell Baker takes over
- this week as host of Masterpiece Theatre
- </p>
- <p>By MARTHA DUFFY
- </p>
- <p> The news came as a cultural shock. After nearly 22 years and
- some 800 programs, during which he had occupied 65 different
- armchairs in clubby library sets, Alistair Cooke, 84, was retiring
- as host of Masterpiece Theatre. For millions of PBS viewers,
- Cooke was like the guest they always hoped to meet at a party--charming, informed but never overbearing as he steered them
- urbanely through such series as Upstairs, Downstairs, I, Claudius
- and The Jewel in the Crown, discoursing on Edwardian manners,
- the English public school or life in the sunlit empire.
- </p>
- <p> Who could possibly replace such an institution? Various names
- were bruited in the rumor mill--stage actors, a few Hollywood
- eminences, novelist John Updike. But the winner turned out to
- be a dark horse: Pulitzer-prizewinning memoirist and New York
- Times columnist Russell Baker, 68, who originally declined the
- offer by saying, "I don't want to be the man who succeeds Alistair
- Cooke. I want to be the man who succeeds the man who succeeds
- Alistair Cooke." Baker was won over by the zeal of Christopher
- Lydon, a newscaster at Boston's WGBH, the station that produces
- Masterpiece Theatre. Lydon, now a candidate for mayor of Boston,
- considered the aw-shucks Baker "a great television event waiting
- to happen. He's Cooper, Ray Milland, all the great movie faces
- wrapped into one."
- </p>
- <p> Baker--no Cooper, but a classic Yank with a long, friendly,
- shovel-shaped face--begins his new assignment on Sunday with
- Selected Exits, a biographical tribute to Welsh author and raconteur
- Gwyn Thomas, starring Anthony Hopkins. Already Baker has found
- that the job is like sailing a ship in a very small bottle.
- "Most of the time you have two or 2 1/2 minutes," he says. "That's
- one page, double-spaced. My columns are three pages. On TV,
- that would be like being Hubert Humphrey--Will this guy ever
- shut up?"
- </p>
- <p> Baker does his own research at home in Leesburg, Virginia, and
- will journey to Boston several times a year to tape the introductions.
- The programs imported for Masterpiece Theatre run in Britain
- with no introduction; the notion of a host is American. "We
- like to be told what's coming," says Baker. "It reassures us."
- An advance look at his first efforts reveals that the onscreen
- Baker is indeed reassuring--an intelligent, amiable presence,
- with a healthy respect for the camera. ``You have to do your
- damnedest to be yourself," he says. "It's hard, like having
- your picture taken."
- </p>
- <p> Cooke had an uncanny knack for seeming to settle into the viewer's
- living room. He credited it to the fact that he was one of the
- few TV performers to memorize his lines and speak without a
- TelePrompTer. Baker will stick with the TelePrompTer, thank
- you. "Alistair was amazing because he appeared so spontaneous,"
- he says. "I'm so uneasy now, I just couldn't do it."
- </p>
- <p> Some followers of Masterpiece Theatre fear that its peak is
- past, that new offerings lack the luster of the glory days in
- the '70s and '80s. But Baker thinks of the series as a necessary
- antidote to insulting commercial programming: "The week all
- three networks had Amy Fisher shows on revealed absolute contempt
- for the human race." And so, as he turns out his single page
- for each week, he humbly paraphrases Peter De Vries' acid remark
- about Henry James and hopes that he will not chew more than
- he bit off.
- </p>
-
- </body>
- </article>
- </text>
-
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